Sessions

+100 Live Sessions réalisées
Paris • Île-de-France • Luxembourg

Captations Vidéo
en Studio d'Enregistrement

Une live session, c’est d’abord une performance. Des musiciens qui jouent ensemble, dans un studio où tout est pensé pour eux — le son enregistré comme un album, la lumière construite, l’image à la hauteur de la musique.

Erik Pédurand
Studio Midilive
Ou ban mwen tout
Sprezzatura
Studio Midilive
Llibre Vrmell de Montserrat
Geoffrey Secco
Studio Ferber
Congé Astral
Christophe Strotz
Linster Studios
Colorblind

Live session?

A live session is your best business card - for audiences and professionals alike. What you post on your networks, what you send to a programmer, a tour manager, a venue - that's your video. It has to match what you offer on stage.

STUDIO LDC

Your video live session in a recording studio

01

Artistic, technical, under control

In the studio, we take the time to settle in, choose the setting, the lighting, fine-tune the listening and the sound.

You can warm up, find your condition, start again if necessary

02

Studio sound, an experienced sound engineer

Recorded with the care of an album - the controlled acoustics of a recording studio, carefully chosen backline, microphones and peripherals.

03

Light, built for your music

The lighting is designed to reveal the space and highlight the musicians.

Lighting, framing - this is where the final visual effect is determined.

04

A single point of contact, from sound to image

You work with a sound engineer who brings the same high standards to the image as he does to the sound.

A vision built together to serve your musical project

Behind LDC

André Baille-Barrelle

Sound engineer - Director

Paris - Île-de-France - Luxembourg

Le son, c’est mon métier depuis 20 ans. Des dizaines d’albums enregistrés et mixés — jazz, soul, world, chanson) — dans des studios et avec des musiciens qui comptent (Thomas Dutronc, Charles Pasi, Antoine Boyer, Tony Allen, Toumani Diabaté…). C’est cette oreille qui est à l’œuvre dans chaque Live Session LDC.

The image came naturally. What I hear in music - the space, the dynamics, the color of a sound - gave me a way of seeing the frame and the light. Training in cinematography at Gobelins (2015) laid the technical foundations. The rest comes from the field.

It's this double reading - audio and visual - that lies at the heart of every LDC production.

20

YEARS IN THE RECORDING STUDIO

+100

LIVE SESSIONS Completed

1

a look at sound and image